The Covid-19 pandemia has caused many changes on the performing artists' lives. Major opera houses and festivals have been forced to cancel performances or even whole seasons. But, as always, every cloud has a silver lining: instead of the normal busy shuttling between international venues Tuija Knihtilä now has an opportunity to sing several concerts in front of Finnish audiences.
In October she sings Kundry in a concert version of Wagner's Parsifal at the Eurajoki Bel Canto festival. The orchestra parts are adapted to organ played by Finnish virtuoso organist Ilpo Laspas. October 21 at 6 p.m. at Eurajoki Church, tickets& info: Eurajoki Bel Canto
Tuija Knihtilä visits the City of Kemi on several occasions during the autumn season. In November she performs twice with the Meri-Lappi string quartet and pianist Anna Laakso with Brahms - Respighi program. In December she sings Mahler, Sibelius and Christmas Carols with the Kemi City Orchestra. November 4 & 5, December 1, tickets & info: Kemi City Orchestra
Beethoven's Missa Solemnis brings Tuija Knihtilä to a happy reunion with conductor Klaus Mäkelä, one of the brightest young Finnish stars on international podiums today. The concert with the Tapiola Sinfonietta marks the ending of the concert season 2020 in a finest possible way! December 18 tickets & info: Tapiola Sinfonietta.
Savonlinna Opera Festival performances of 2020 were re-scheduled to June-July 2021. Tuija Knihtilä will be singing the name role of Bizet’s Carmen with Amadi Lagha as Don José and Andrei Kymach (Singer of the World 2019) as Escamillo. Tuija Knihtilä's performance dates are July 2 / 9 / 16 / 22, 2021, tickets & info: Savonlinna Opera Festival
Tuija Knihtilä's spring season took an extra wihrl as she was called at short notice to sing Waltraute in Wagner's Die Walküre in Royal Opera Stockholm. The production is directed by Staffan Valdemar Holm who has won great acclaim for his psychological direction, which focuses on the strong relationship between Wotan and his daughter, Brünnhilde.
Due to Covid19 pandemia all performances (7, 14, 21 & 28 March) are cancelled.
After her successful appearance as Marguerite in Berlioz’ La D’amnation de Faust with conductor Hannu Lintu in Helsinki Tuija Knihtilä is preparing for her performances of Wagner’s Parsifal (Kundry) in April-May at the Mannheim State Opera soon to be followed by the name role of Bizet’s Carmen at the Savonlinna Opera Festival in July. Live recording of the recent Finnish Radio Symphony Orchestra’s Berlioz performance is available online to be watched internationally. You’ll find the link here.
Due to Covid19 pandemia the Mannheim State Opera performances are cancelled.
Tuija Knihtilä's career is evolving in Central Europe, but her rich mezzo is rarely heard in Finland. She projected to the audience an innerly strong Marguerite, a woman who is never submissive to her dreams. -Rondo Magazine 1/2020
The highlight of the evening, however, was Tuija Knihtilä's gutsy and comprehensively nuanced Marguerite. -Hufvudstadsbladet January 2020
Tuija Knihtilä's mezzo resonated expressively and powerfully in the central role of Marguerite. -Helsingin Sanomat January 2020
Tuija Knihtilä Herodiaana hallitsi ilmatilaa suvereenisti
Tuija Knihtilä's superlative Herodias dominated the airspace. -Turun Sanomat, May 2019
Tuija Knihtilä var vokalt en imponerande Herodias.
Tuija Knihtilä was a vocally impressive Herodias. -Hufvudstadsbladet, May 2019
Der jungen Finnin Tuija Knihtilä als Kundry glückte vokal wie darstellerisch eine faszinierende Deutung der rätselhaftesten Wagner-Figur.
The young Finn Tuija Knihtilä's Kundry succeeded vocally and interpretatively to give a fascinating meaning to the most enigmatical Wagnerian figure. -Morgenweb, April 2019
Die Sänger kommen gut zurecht, Tuija Knihtilä als prächtige Venus
Tuija Knihtilä as a splendid Venus... -Frankfurter Rundschau, March 2017
Tuija Knihtilä stattet Venus mit mächtigem Mezzo und prachtvollen Tönen aus.
Tuija Knihtilä configurates Venus with a mighty mezzo-soprano and marvellous notes. -Allgemeine Zeitung, March 2017
And so Ortrud is a real powerhouse. The role requires a dramatic voice, and the Finn Tuija Knihtilä has exactly what you could ever dream of: power, light, focus and volume. She had everything poshly under control at the premiere, and stole the show completely. As the third act began, the stage was still smoking. Tthe theatrical thunder at the end of the second act was devastating, as she spoiled Elsa's and Lohengrin's wedding and imposed her wickedness and willpower. -Politiken, January 2016
Ortrud is on the other half of the pitch, although the role per se is more rewarding. Evil always attracts more interpreters and attention than good. Tuija Knihtilä's "Oh Gott" uttered to her clumsy husband Telramund starts the great raison d'être of the performance. Everything is on place without any witchy effects or mute film gestures. Knihtilä's close-cropped Ortrud looks rather like a head of research. With her calm and total focus and a perfectly controlled voice she shows everyone what the piece is about. The role is not as extensive as you may imagine. Nevertheless, she got the greatest ovations. -Kulturbloggen, January 2016
The soloist were very good although not everyone impressed since the beinning. The Finnish mezzo Tuija Knihtilä's achievement was the most impressive: the development of the action in the second act made the rest of the show interesting. -Operalogg, January 2016
The wicked pair was assigned two Finnish singers: the bass-baritone Jukka Rasilainen did really well his part as Friedrich von Telramund, while the mezzo-soprano Tuija Knihtilä turned out to be the vocal triumph of the performance as the evil Ortrud. -Kristeligt Dagblad, January 2016
However, most touching was mezzo Tuija Knihtilä's Amneris. In the penultimate scene, she has to bear the trial of her beloved Radamès internally as well as all alone on stage. It is also she who embodies the transition from rage to reconciliation to a prayer for peace which is the miracle in which this production of Verdi's "Aïda" wants us to believe. -Dagens Nyheter, March 2015
The mezzo Tuija Knihtila as Santuzza showed a consistent voice with dark medium and high notes and a strong stage presence. Great singer with excellent vocal and scenic artistry. -Movimento.com, October 2014
Knihtilä's mezzo-soprano flamed in the bad-guy role in a full and a credible way. -Helsingin Sanomat, July 2013
Surprisingly, some of the strongest emotional moments in the opera came from Tuija Knihtilä as Isolde’s maid Brangane, and Richard Paul Fink as Tristan’s servant Kurwenal. -Financial Times, Novenber 2012
Tuija Knihtilä and Magne Fremmerlid interpret the roles of Brangaene and King Mark with such depth of musical insight as to produce some of the finest moments of the production. -Aftenposten, March 2012